Why I Wrote My Geisha
Memoir
The early summer of 1892
brought a heavy
rainy season that year in Japan. Plum rain, the Japanese call it,
because it comes when the fruit bulges with ripeness and promise.
Like a young girl reaching womanhood.
A girl like me.
The air was warm and damp,
but as in
all things Japanese, a uniqueness about the rain awakened my senses and
stirred my desires. I was struggling with grief while a wild joy
surged within me, a sensual discovery of my changing body that filled
me
with concupiscence. An unsettling combination of emotions for any
young girl. I yearned to yield to my desires, to awaken my female
soul, to love, and be loved.
I was fifteen
years old.
And I wanted to be
a geisha.
I so admired the
spirit of these
women, their daring, and their
beauty. They were
purveyors of
dreams and lived in a fairy tale world of misty romance. Every
day
on my way to missionary school, I'd stare at the young apprentice
geisha,
scurrying along the street on their high sandals with a small bell
fixed
inside, their white painted faces peeking out from under their pink
paper
parasols.
At night en route
to the Kabuki
theater with my father, I ogled the geisha riding in a jinrikisha,
wearing
their formal black kimono embroidered with flowers and birds. On
late afternoons, I giggled when I passed by the okâsan,
mama-san,
sitting on her polished veranda and smoking her ivory pipe.
Filled with
inspiration, shaking
more with anticipation than with fear, I felt compelled, driven, to
follow
my desire to enter into this ever fascinating--sexually
liberated--world
of geisha. I wanted to know how this world of flowers and willows
co-existed in a land where girl babies were put upon the cold ground
for
the first three days after they were born so they may know their place
in society.
Under
men.
I didn't
understand why the women
in this land of shôguns and samurai kept their eyes lowered,
their
hearts hidden, their tears to themselves. Polka-dotted tears on a
hard, wooden pillow. As durable as their souls, if they were to
survive.
If they were to
prosper.
If they were to
love.
I was so
impressionable, so hungry
to indulge in my
erotic fantasies, if I
didn't find
a way to release my pent-up
emotions, I was convinced I
would spend
the rest of my life concealing the sensuality hidden within me.
Instead,
I prayed to the gods I'd find the courage to embrace my sexual desires
and release my soul from this anguish.
I hadn't yet
tasted the sweetness
of a man's caress nor experienced the torment of lost love. My
young
breasts were budding with the ripeness of hard red cherries, my hips
slim
like a boy's. I could only guess what sense of discovery awaited
me in a land where pleasure was a woman's misfortune. And duty
was
her only pleasure.
Or so it appeared.
It wasn't always
true.
According to
Japanese folklore,
the women in the geisha quarters possessed a secret, a mystique so
closely
guarded for more than two hundred years they shared it with no one but
their geisha sisters. Secrets to keep their skin forever
young.
Potions to make men fall madly in love with them. Strange toys to
bring wave after wave of sexual enjoyment to them and their
lovers.
Motivated by this
vivid tale,
I sneaked down to the geisha
quarters of Shinbashi where
I could
hear their laughter and their restless sighs coming from inside the
high
walls surrounding the geisha house. I imagined what earthly
delights
lasted throughout the night. Could I, an outsider, penetrate
their
mask of civility and learn their exquisite ways to pleasure a
man?
Or to pleasure
myself?
Could I?
Through the
strange workings of
the gods that brought much
grief and anguish to my
young self,
I had the opportunity to
enter the geisha house that
summer.
Although I had hair long and golden like bursts of sunbeams exploding
into
the dawn, and eyes as green and rich as the silk brocade lining of a
merchant's
coat, I became a maiko, apprentice geisha, in Kyoto.
After
three years of training, like the slow unfurling of the rose-pink lotus
blossom, I became a geisha.
So many years
later, I have reached
an age when I can break my silence without violating the geisha code of
secrecy. I can share with the outside world my life in the geisha
house, the beauty and grace, the sexual and erotic fantasies, and the
hidden
secrets.
As I sit here in
the garden of
the teahouse with the butterflies settling on my shoulders and the
chime
of the wind-bells in my ears, I will write it all down as I remember it
on the finest rice paper as translucent as the wings of a moth and
dusted
with silver and gold: The men I've loved, the geisha-sister who risked
her life for me, the mama-san who reared me as a daughter; their touch,
their laughter, and their most intimate moments.
And now, as I take
into my hand
the brush and dip it into
the ink, I will tell you
the extraordinary
and sensual story of the blonde geisha.
Kathlene Mallory
--Kyoto, Japan 1931
|